
In the process, we're also introduced to Reg and Dominque Blank, proprietors of an indie television station, "Big Time Television," doing broadcasts whenever and wherever they can. When his girlfriend is taken for her pituitary gland, a young fringe-dweller enlists Edison to help him track her down and expose the body-snatching. Edison, Max and Theora track down the illegal games and broadcast the story just before Network 23 signs an exclusive contract to air the exciting new "sport."Įpisode 3: "Body Parts" - The city's rich and privileged class are stealing body parts from the young disadvantaged people living on its fringes. Local gangsters have seized on this game as a way to make some money and up the ante, making the players wear razor-sharp knives on their gloves and spectators bet on the survivors, rather than the winners.

Originally conceived of by young punks as a way to blow off steam, rakers ride motorized skateboards and try to knock each other off. As it turns out, the viewing audience loves Max Headroom and Network 23's ratings skyrocket regardless.Įpisode 2: "Rakers" - Theora's estranged brother has become tangled in the illegal underground game of raking to try to make some money for his wife and baby. The AI takes on a life of its own, becoming the charming and distractable Max Headroom, and Max helps Edison, his controller Theora (Amanda Pays) and his producer Murray (Jeffrey Tambor) break the blipvert story.
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His employer, Network 23, who is running these blipverts for their major advertiser, Zik Zak Corporation, wants to know just what Edison knows and has their resident boy-genius/mad scientist Bryce, download Edison's memories into his computer using his cutting-edge artificial intelligence program (which uses fabulous "Money for Nothing" era CGI). It's rather more prescient than one might have expected.Įpisode 1: "Blipverts" - During the pursuit of a mysterious death story - in which a new kind of television ad, a "blipvert" which compresses 30 seconds' worth of advertising into a 3-second spot, which can overload a lethargic human's nervous system and cause them to explode - investigative reporter Edison Carter (Matt Frewer) sustains a massive head injuiry. But I'm finding it very interesting to watch in 2010 a show made in the late 1980s about the insidiousness of network television - how the networks control what people watch and how they'll do anything to keep people watching. To be honest, it's pretty dated with the clothing (shoulder pads!), big hair (and I'm not even counting the mohawks) and synthesizer music.
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all post-apocalyptical or just-prior-to-the-apocalyptic scenarios with burned out buildings, widely separate social strata, punks, bad teeth and underdogs fighting against the Man, whosoever the Man might be at the time.īefore I sat down to watch this series again, I figured there's no way MH can stand up to my remembrances. Looking back now, I realize that I ended up being drawn to similar motifs: Brazil, Time Bandits, The Road Warrior, Neverwhere, etc., . I remember loving it back in 1987 - back then, it seemed like one of the most subversive things on television and I was drawn to its cynical, punk-lite sensibilities. Bryce Lynch creates this computer simulated version, who calls himself Max Headroom.I have been waiting and waiting and waiting and waiting for Max Headroom to come out on DVD. Ned decides to replace Edison with a computer stimulated version of Edison. Network 23 star reporter, Edison Carter, discovers that the Network executive Ned Grossberg is aware of the problem and is covering up the issues. Unfortunately, a few viewers have exploded while watching them. To improve ratings, Network 23 creates "Blipverts." Blipverts are high speed commercials condensed into a few seconds and embed themselves into the viewers mind. In the near future, it will be illegal to have a television that can be shut off.

Summary: In the near future, it will be illegal to have a television that can be shut off.
